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Olympia Psychopedis-Frangou
The Constitution of Musicology as an Academic Discipline [Abstract]
Issue 1/1985 (1)
Four Early Songs by Mikis Theodorakis. The Cycle “Eros and Death”
[Abstract]
Issue 1/1986 (4)
A Sketch on the Cultural Relation between France and Greece in the Contemporary History of Greek Music [Abstract]
Issue 5-6 (1987)
Critical Reconstruction of Aesthetic Concepts in the Work of T. W. Adorno [Abstract]
Book Review: Annegrit Laubenthal (ed.), Studien zur Musikgeschichte. Eine Festschrift für Ludwig
Finscher, Bärenreiter, Kassel 1995 (in collaboration with Kara Kusan-Windwehk) [Abstract]
Models of Musical Aesthetics and Formal Analysis [Abstract]
Issue 14 (2000)
Preface
Commercialisation and Music Aesthetics; the Question of the Frankfurt School of Criticism [Abstract]
Musicological and Musical Studies in Higher Education: Academic Structure and University Policy (A Meeting
organized by Musicology, Athens 18/3/2003, Athens Goethe Institute) [Presentation]
Introduction to the Subject of the Meeting & Conclusions
Nikos Skalkottas and the Tradition of Modern Music [Abstract]
Issue 18 (2003)
Introduction to the Congress
The Actuality of Adorno’s Aesthetics. Approaches to his Theory Today [Abstract]
Agamemnon Mourtzopoulos’ essays on music critique and
music aesthetics in the frame of musicology [Abstract]
Issue
20 (2011)
Book Review: Apostolos
Kostios, 75
Years
of the Greek Composers’
Union,
1931-2006. From
Chronicle to History, Panas music, Athens 2007
Ion Zottos’ musicological work and the aspects of historiography [Abstract]
Issue
21 (2013)
Book Review: Markos
Tsetsos, Music in modern philosophy. From Kant to Adorno,
Alexandria Publ., Athens 2012