Search papers by author

Ion Zottos

 

G.-C. Menottis Maria Golovin: A Study on Jealousy [Abstract]

Issue 1/1985 (1)

 

Deutsche Oper Berlin [Abstract]

Issue 1/1985 (1)

 

Wallingford Riegger (1885-1961): An American Disciple of Schoenberg [Abstract]

Issue 2/1985 (2)

 

Benjamin Brittens Albert Herring: An Operatic Study of Provincial Oppression [Abstract]

Issue 2/1985 (2)

 

Serse, a Comic Opera by Händel [Abstract]

Issue 3/1985 (3)

 

Sir Michael Tippetts King Priam”. An Epic Opera about the Fate [Abstract]

Issue 3/1985 (3)

 
A Neoclassical Dramatic Synthesis of the Arts: Greek Subjects in Händels Dramaturgy [
Abstract]
Issue 1/1986 (4)

 
The Beginnings of French Opera: The Tragédie Lyrique as Dramatic Genre in Neoclassical France [
Abstract]
Issue 5-6 (1987)

 
Ancient Dramatists and Newer Theatrical Representations [
Abstract]
Issue 9 (1997)

 
Notions of Romanticism in English Criticism regarding the Epic Poem and the Lyrical Drama during the Nineteenth Century; Overlapping Influences between Literature and Music [
Abstract]
Issue 10-11 (1998)

 

In Memoriam John G. Papaioannou (23 January 1915 – 3 February 2000). Chronicle – Vision – Problems [Abstract]

Issue 12-13 (2000)

 

Clement Harris, Paradise Lost, and its Performances in Greece [Abstract]

Issue 12-13 (2000)

 
Frederick Delius Interpreted by Beecham, Barbirolli and Collins [
Abstract]
Issue 14 (2000)

 
Humphrey Searle: Disciple of Schönberg, Pupil of Webern, and his Work [
Abstract]
Issue 15 (2002)

 
Egon Wellesz: The First Years in Oxford as Composer of Instrumental Music [
Abstract]
Issue 16 (2002)

 
The Worth and the Value of English Opera ca. 1702 [
Abstract]

The Value of Music Today (2003)

 

Yannis Papadopoulos (1908-2002) [Abstract]
Issue 17 (2003)

 
Humanistic Studies at the Traditional American Universities [
Abstract]
Issue 18 (2003)

 

Music as Metaphor in Délie by Maurice Scève [Abstract]

Music Analysis and Interpretation (2006)

 

The “Athens Ballet” in South Africa in 1948. Skalkottas and Dora Vlastou [Abstract]

Issue 19 (2007)

 

The ‘aller-retour’ of Mozart in Paris in 1778 and Baron von Grimm [Abstract]

Issue 20 (2011)