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Ion Zottos
G.-C. Menotti’s
“Maria
Golovin”:
A Study on Jealousy [Abstract]
Deutsche Oper Berlin [Abstract]
Wallingford Riegger (1885-1961): An American Disciple of Schoenberg [Abstract]
Benjamin Britten’s “Albert Herring”: An
Operatic Study of Provincial Oppression [Abstract]
“Serse”, a Comic Opera by Händel [Abstract]
Sir Michael Tippett’s “King Priam”. An Epic
Opera about the Fate [Abstract]
A Neoclassical Dramatic Synthesis of the Arts: Greek Subjects in Händel’s Dramaturgy
[Abstract]
Issue 1/1986 (4)
The Beginnings of French Opera: The “Tragédie
Lyrique”
as Dramatic Genre in Neoclassical France [Abstract]
Issue 5-6 (1987)
Ancient Dramatists and Newer Theatrical Representations [Abstract]
Issue 9 (1997)
Notions of Romanticism in English Criticism regarding the Epic Poem and the Lyrical Drama during the Nineteenth
Century; Overlapping Influences between Literature and Music [Abstract]
Issue 10-11 (1998)
In Memoriam John G. Papaioannou (23 January 1915 – 3 February 2000). Chronicle – Vision – Problems [Abstract]
Clement Harris, Paradise Lost, and its Performances in Greece [Abstract]
Frederick Delius Interpreted by Beecham, Barbirolli and Collins [Abstract]
Issue 14 (2000)
Humphrey Searle: Disciple of Schönberg, Pupil of Webern, and his Work [Abstract]
Issue 15 (2002)
Egon Wellesz: The First Years in Oxford as Composer of Instrumental Music [Abstract]
Issue 16 (2002)
The Worth and the Value of English Opera ca. 1702 [Abstract]
Humanistic Studies at the Traditional American Universities [Abstract]
Issue 18 (2003)
Music as Metaphor in Délie by Maurice Scève [Abstract]
The “Athens Ballet” in South Africa in 1948. Skalkottas and Dora Vlastou [Abstract]
The
‘aller-retour’
of Mozart in Paris in 1778 and Baron von Grimm [Abstract]