Contents of issue 10-11 (1998)
Editorial
Theodor W. Adorno
Markos TsetsosProblems of Aesthetic Analysis of a Beethoven’s Late String Quartet (Op. 131, c sharp minor) [Abstract]
Ion ZottosNotions of Romanticism in English Criticism regarding the Epic Poem and
the Lyrical Drama during the Nineteenth Century; Overlapping Influences between Literature and Music [Abstract]
Alexandra MourikiAesthetics of Expression and Communication. Certain Issues about
Music-Aesthetic Education [Abstract]
George ZervosThe Concerto for Piano and Orchestra op. 42 of Arnold
Schoenberg: An Incombatibility between the Dodecaphonic and the Rhythmic-Melodic Thematic Material [Abstract]
Kurt BlaukopfAims of the Sociology of Music
Translation in Greek: Alexandros Baltzis [Abstract]
Alexandros G. BaltzisKurt Blaukopf: Dynamics and Mutations of Musical Behaviour – Origins of Methodology [Abstract]
Katy RomanouThe Messing of the Dressing [Abstract]
George FitsiorisLevels of Perception: The Possibility of Understanding Tonal-Period Harmonic Plans in Terms of Embedded Narrative Sequences [Abstract]
Panos VlagopoulosAn Epistemological Declaration of Principles (A) and a
Study of Application: Tristanakkord and
Ich möchte hingehen of Franz Liszt (B) [Abstract]
Jules Verne
About Ancient and Modern Music and the Practical Use of Some Instruments
Translation in Greek: Fyllia Kikilia [Abstract]
Charalampos SpyridisApproaches of the Music of Iannis Xenakis [Abstract]
Nikolaos MamalisTechnics of Modelization of the Instrumental Sound: Spectral Music [Abstract]
Byron FidetzisDemetrios Lialios (1869-1940). A European Composer from Patras [Abstract]
Apostolos KostiosMinos Dounias (1900-1962) [Abstract]
Book Review:
Clemens KühnFormenlehre der Musik, Bärenreiter, Kassel 1987.
Review: Markos Tsetsos [Abstract]