Contents of issue 15 (2002)
Editorial
Ludwig Finscher
Composition after Beethoven. A Contribution to the History of the Symphony from Beethoven to Schumann
Translation in Greek: Oly Psychopedis-Frangou, Markos Tsetsos [Abstract]
Ion ZottosHumphrey Searle: Disciple of Schönberg, Pupil of Webern, and his Work [Abstract]
George ZervosThe Form of Variations in Webern’s Work and its Relation to the Sense of Metamorphoses in Goethe: The Reduction of the Structural Elements of the Compositional Procedure to One Sole Principle [Abstract]
George FitsiorisTexts about the Theory of Western Music: Heinrich Schenker, “God” or “Demon”? [Abstract]
Minas I. AlexiadisTowards a Definition of Jazz Music based on the Nature of this Idiom and the Characteristics of Musical Practice [Abstract]
Diane Touliatos-MiliotisThe Practical Performance of Byzantine Music
Translation in Greek: Evgenia Akrida [Abstract]
Ioannis Papathanassiou – Nikolaos BoukasThe Hymn
«Επί σοι χαίρει Κεχαριτωμένη» in the Byzantine Musical Tradition [Abstract]
Book Reviews:
Carl DahlhausAesthetics of Music, Stahy,
Athens 2000 (214 p.).
Translation in Greek: Apostolos Oikonomou
Preface: Giorgos Maniatis (editor)
Review: Markos Tsetsos
Apostolos KostiosA Method of Musicological Research, Papagrigoriou – Nakas Musical Publications, Athens 2000 (288 p.).
Review: Katy Romanou