Contents of issue 16 (2002)
Editorial
Maria Efstratiadi
Giorgos Sisilianos’ Etudes Compositionnelles. An Essay of Presentation [Abstract]
Egon WelleszThe Origins of Schönberg’s Twelve-Tone System [Abstract]
Ion ZottosEgon Wellesz: The First Years in Oxford as Composer of Instrumental Music [Abstract]
Panayiotis Matzoulas“The Odd Key”. An Interpretive Attempt of Johannes Brahms’
Piano Rhapsody in b minor (Op. 79, No. 1) [Abstract]
Pyrros BamichasMelodic Instruments: Role and Profile at Vocal Compositions in the Books of Concertato Secular Music Printed in Italy (1605-1640) [Abstract]
Anna-Maria RentzeperiThe “Leitmotiv” Technique in M. Kalomiris’ Opera Mother’s Ring [Abstract]
Achilleus G. ChaldaeakesThe Cataloging of the Music Manuscripts of the Greek Islands [Abstract]
John BailyAmin-e Diwaneh: The Musician as Madman
Translation in Greek: Dafne Tragaki [Abstract]
Book Review:
Thomas J. MathiesenApollo’s
Lyre. Greek Music and Music Theory in Antiquity and the Middle Ages, University of Nebraska Press,
Lincoln and London 1999 (806 p.).
Review: Katy Romanou