Contents of issue 22 (2015)
ÌUSIC
AND LANGUAGE
Editorial
Charalampos
Ch. Spyridis
Elements of Language Theory in the study of rhythmic languages
[Abstract]
Markos
LekkasMusic
as topographical depiction of a metaphor
[Abstract]
Georgia
Maria TserpeSymbolic
elements in music: Facets and forms
[Abstract]
Iakovos
SteinhauerAn
aesthetic approach to the musicality of language, image and body [Abstract]
Costas
TsougrasLanguage
and Music: An interdisciplinary overview of a multi-faceted relationship
[Abstract]
Markos
TsetsosMusic
and Language. Retracing the German-speaking philosophical discussion
[Abstract]
Christina
AnagnostopoulouMusic
as language: Methods of cohesion in musical and linguistic discourse
[Abstract]
Irmgard
Lerch-KalavrytinosSome
remarks on rhythm in the compositions with poetic texts in the Liber Sancti
Jacobi
[Abstract]
Theodoros
KitsosThe
use of Greek language in Western art music during the 16th and the 17th century:
the case of Henry Lawes
[Abstract]
George
ZervosForm,
musical meaning and content in the aria “Erbarme dich” from the St.
Matthew Passion, BWV 244, of J. S. Bach
[Abstract]
Marianna
Sideri
“Prima
la musica e poi le parole”: A serious discussion on opera’s nature or an
operatic Capriccio?
[Abstract]
Stelios
Psaroudakēs
Mesomedes’
Hymn to the Sun (2nd c. AD): the precipitation of logos in
the melos [Abstract]
Thomas
Apostolopoulos
Tonos
and melos (stress and melody) in Damaskenos’s prosodic
Canons [Abstract]
Achilleas
G. ChaldaeakesByzantine
Music as “Ôabula Rasa” or Which
should be the “language” of Byzantine music?
[Abstract]
Athanasios
TrikoupisDynamic
and melodic accent usage in the Modern Greek poetry set to music
[Abstract]
Kostas
ChardasSeeking
the perpetual, claiming the new: Greek modernism and ancient Greek logos
[Abstract]
Gerasimoula
(Mema) PapandrikouThe
wedding song “Today the sky is shining” in Greek area
[Abstract]
Maria
NtourouThe
contextual significance of words and phrases as a composition parameter of the
melodic lines of Cavafy’s poetry which has been set to music
[Abstract]
Beata
Iwona GlinkaThe
relation between music and language in the works for solo flute by Greek
composers
[Abstract]
Dora
Psaltopoulou-KaminiThe
lingual relationship in Music Therapy
[Abstract]
Stylianos
TsakalidisMental
auditory image and music, thought and speech, complementary cognitive processes
in the service of music performance
[Abstract]
George
Ï. Kosteletos
The
Musical Turing Test: Music instead of Language as a medium for the cognitive
evaluation of computing systems
[Abstract]
Athanasios
SoultatisElements
of musicality in phonology
[Abstract]
Stella
Voskaridou-EconomouMusicality
or the unknown: Utilising ideas from the field of phonology in an approach of
musicality in poetic texts
[Abstract]
Athanasios
ZervasProbing
musical meaning in sets of pitches in relation to sets of letters: experiment
and melodic invention
[Abstract]
Nick
PoulakisMusic,
language and post-colonial cinematic discourse: A critical ethnomusicological
approach of the film
Avatar
[Abstract]
George
Fitsioris
Exciting
narratives: Letting the music cultivate our imagination
[Abstract]
Anna-Maria
Rentzeperi-TsonouÔhe
relation between music and logos (text) in the songs of Dimitris Themelis in
poetry by Odysseas Elytis
[Abstract]
Anastasia
GeorgakiLanguage
and cybernetics in A. Logothetis’ Hörspiel Kybernetikon
(1971) [Abstract]
Konstantinos
Kardamis
“That
music is only an artistic combination of sonorous waves may be true, but there
is no reason why these waves should be let loose in deafening tempests”. Music
in Jules Verne’s works [Abstract]
Ioannis
Fulias
The
interrelation of speech and music in Dittersdorf’s programmatic symphonies on
Ovid’s Metamorphoses
(1781-1783) [Abstract]
Ioannis
FuliasA
brief addendum to Konstantin D. Economo
[Abstract]