Contents of issue 21 (2013)

Cover of issue 21Editorial

PART I

A tribute to Ion Zottos (1944-2010) [Abstract]

Olympia Psychopedis-Frangou

In memoriam Ion Zottos

Ion Zottos’ catalogue of works (edited by Ioannis Fulias)

Ioanna Constandulaki-Chantzou

Jazz et taedium vitae dans La Nausée de Jean-Paul Sartre [Abstract]

PART II

Proceedings of the symposium “Aspects of music historiography”

(in memoriam Ion Zottos), Athens, 15 and 16 December 2011

Olympia Psychopedis-Frangou

Ion Zottos’ musicological work and the aspects of historiography [Abstract]

Alkistis Soulogianni

Language and music: the ‘emotional signposts’ along the private and cultural way of Ion Zottos [Abstract]

Maria Dourou

Yannis A. Papaioannou – Ion Zottos: teacher and pupil put to music the poetry of C. P. Cavafy [Abstract]

Katy Romanou

Comparing aspects of music historiography [Abstract]

Markos Tsetsos

Towards a critical reconstitution of the musical canon [Abstract]

George Fitsioris

Approaching early music texts [Abstract]

Ilias Giannopoulos

History of music terminology as music historiography: the problem of ‘new music’ in 20th century music historiography [Abstract]

Nicholas Maliaras

Spyros Samaras, Manolis Kalomiris and Nikos Skalkottas. A reexamination of their relations under the light of historical evidence [Abstract]

Kostas Chardas

Do it yourself? Issues on the historiography of Greek music [Abstract]

Anastasia Siopsi

The position of the history of Greek art music in the European horizon (the evolution of the research in the diptych Centre [Central Europe] – Periphery) [Abstract]

Athanasios Trikoupis

Franz Liszt (1811-1886): Original piano works under the title Ave Maria. A research on the composer’s religious musical symbolisms, on the occasion of the 200th anniversary of his birth [Abstract]

Yannis Belonis

Unknown facts on the life and work of George Axiotis during the period 1898-1924 [Abstract]

Mando Pyliarou

Greek Music Periodicals as a source for the research of Neohellenic Music. The Greek Music Periodicals in the Interwar (1925-1934) [Abstract]

Sofia Kontossi

Aspects of the Athenian musical life during the 1930s through Manolis Kalomiris’ activity: The symphonic concert series at Neo Faliro Beach [Abstract]

Ioannis Fulias

Konstantin D. Economo: a pioneer of the science of musicology in interwar Greece [Abstract]

Maria Alexandru

Historiography of Byzantine music and the need of editing the opera omnia of great composers. The example of Grigorios Bounis Alyatis [Abstract]

Antonis I. Konstantinidis

Aspects of ancient Greek music in the new psaltic theory [Abstract]

Ioannis Papathanasiou George Roussopoulos Nikolaos Boukas

A special bibliography data base of Byzantine music manuscripts [Abstract]

Ursula Vryzaki

Music History for children [Abstract]

Theodoros Kitsos

Ferdinand Sor, the ‘philhellene’ [Abstract]

George Vlastos

Issues of national identity in French music during the second half of the nineteenth century [Abstract]

Katerina Levidou

Aphorisms in musicology: Reflections on historico-cultural contextualisation taking the case of Igor Stravinsky as a starting point [Abstract]

George Zervos

Aspects of thematicity and form in the Scherzi of the Symphonies of Mahler. From programme to interiorisation? [Abstract]

Iakovos Steinhauer

Bach the progressive [Abstract]

Kostas Kardamis

Aspects of female pianism in the 19th-century Ionian Islands [Abstract]

PART III

Book Review

Markos Tsetsos

Music in modern philosophy. From Kant to Adorno, Alexandria Publ., Athens 2012
Review:
Olympia Psychopedis-Frangou