2nd International Congress of Musicology



In collaboration with the Music Library of Greece “Lilian Voudouri” and the Athens Concert Halls Organization
Supported by the Goethe-Institut Athen, the British Council in Greece and the Institut Français d’Athènes

[Announcement]          [Contributors]          [Detailed program]          Proceedings & paper abstracts


Music Analysis and Interpretation

A Contribution to the Centenary since Th. W. Adornos Birth

Music Analysis and InterpretationAthens Concert Hall, 4-6 November 2003


Athens Concert Halls Organization, Athens 2006.

Volume Contents & Paper Abstracts


Olympia Psychopedis-Frangou

Introduction to the Congress

Olympia Psychopedis-Frangou

The Actuality of Adorno’s Aesthetics. Approaches to his Theory Today [Abstract]

Ion Zottos

Music as Metaphor in Délie by Maurice Scève [Abstract]

Pyrros Bamichas

The Choice of Analytical Instruments, and the Evaluation of Analysis in the Approach of Early Baroque Music [Abstract]

Panos Vlagopoulos

Triangularity and Reference in Music Historiography [Abstract]

Irmgard Lerch-Kalavrytinos

Analytical Aspects of Motets by Philippe de Vitry: Tenor and Meaning [Abstract]

Christoph Stroux

Bach analyses Bach [Abstract]

Markos Tsetsos

Musical Analysis and its Object. Theoretical Observations [Abstract]

Constantin Floros

Musical Semantics and Semantic Analysis  
Translation in Greek: Ioannis Fulias [Abstract]

Hans-Joachim Hinrichsen

Between Terminology and Metaphor. The Analytical Content of Theodor W. Adorno’s Early Essays on Franz Schubert 

Translation in Greek: Markos Tsetsos [Abstract]

Anastasios Hapsulas

Music Analysis in Ethnomusicology. Problems and Prospects [Abstract]

Alexandra Goulaki-Voutyra

Rhythm in Texts and Depictions of the Antiquity [Abstract]

Anastasia Georgaki

New Trends in the Analysis of the Electroacoustic Music: Tools, Methodology and Technical Problems [Abstract]

George P. Ploumbides

Manos Hatzidakis’ To a little white quahog [Abstract]

Nikolas Lagoumitzis

Interpretive Interventions in Beethoven’s Piano Sonatas, as a Means of Approaching the Musical Form [Abstract]

Nikos Tsouchlos

Tempo, Sonority and the Analysis of Music [Abstract]

Nicholas Cook

In Real Time: Music as Performance 

Translation in Greek: George Fitsioris [Abstract]

Nicholas Zumbro

George Tsontakis’ Ghost Variations for Piano 

Translation in Greek: Ioannis Fulias [Abstract]

Ioannis Fulias

Interpretative Approaches of a Multidimensional Work: Beethoven’s Große Fuge [Abstract]

George Fitsioris

The General with the Hips of a Ballerina and the Feet of a Hare: The Slow Introduzione of Beethoven’s String Quartet Op. 59 No 3 [Abstract]

Katy Romanou

“All are Happy and Haydn’s Tableau is Complete” [Abstract]

George Zervos

Types of Thematic Entities (Expositions) and “Recapitulations” in Two-Part Inventions of J. S. Bach [Abstract]

Makis Solomos

Adorno and Musical Analysis [Abstract]

Hermann Danuser

The “World of Pictures” in Mahler’s Fourth Symphony. On Theodor W. Adorno’s Musical Metaphorology

Translation in Greek: Ursula Vryzaki [Abstract]

Olivier Revault d’Allonnes

On the Traces of Adorno: What is Social in the Tonal System?
Translation in Greek: Panayiotis Tsoumas [Abstract]


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